Did Andy Warhol Every Do Graphic Design for Shasta Cola

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Dreaming of Equ>lity

University of the Pacific and Marie Lee

On January 14, 2021 at 6pm PT, the Reynolds Gallery is pleased to host the opening of a juried virtual exhibition, "Dreaming of Equ>lity." University of the Pacific student curators selected work from an open call addressing social and political discourses stimulated by the global crises of 2020. Thirty-one artists at all stages of their careers from across the US contributed work focused on their hopes for an end to the collective traumas of injustice, racism, discrimination, and climate destruction.

(Image courtesty of: Firoz Mahmud, photograph, part of 'Soaked Dream' project. Courtesy Durjoy Bangladesh foundation)

Artists bravely confront systemic disadvantages with camera, paintbrush, and pencil as swords. They also make the best of virtual opportunities to communicate messages of hope and to challenge us to create a more just and equal society. The forty-six pieces in the show include documentary photography, photomontage, painting, drawing, collage, sculpture and video. Artists address issues of identity - Black Lives Matter features prominently - from painful experiences of constraint to proposing new ways of being free and genuine self-care. Tackling historic iniquity and honoring significant influences, they point to futures diverse and deeply imagined.

Exhibiting artists: Kamal Al Mansour, Ahmet Arslan, Jena Ataras, Aram Bea, Gretchen Beck, Joe Bussell, Christian Bustos, John Chang, Trevor Coopersmith, Michael Darough, Michael Kenneth Depue, Greta Dole, Kia Duras-Carter, Roya Farassat, Sherry Muyuan He, Firoz Mahmud, Crystal Marshall, George Lorio, Paolo Morales, Jeff Musser, Brenda Munguia, Nimisha Doongarwal, Alissa Ohashi, Nikki Parikh, Chris Revelle, Ann Stoddard, Laura Tanner, VANCAI, Morrie Warshawski, Sara Zielinski, and Jing Zhou.

The exhibition was conceived and created by student co-curators Crystal Baltazar, Paola Baltazar Salcedo, Angelique Doty, Jennifer Nava, Megan Rabatan and Kaelani Valdez-Nawatani under the mentorship of professor Marie Lee and university curator Lisa Cooperman.

Women's Rights Are Human Rights

University of the Pacific and Elizabeth Resnick

International posters on gender-based inequality, violence, and discrimination. Join us for a virtual opening of Women's Rights Are Human Rights. This poster exhibition originally organized and curated by Elizabeth Resnick, design educator from MASS Art, has been reconfigured by Pacific student curators for an online experience.

Vision 20-20: SENIOR CLASS OF 2020 EXHIBITION

University of the Pacific and Studio Art and Graphic Design Students

The Studio Art and Graphic Design "quarantine" class of 2020 at the University of the Pacific presents Vision 2020, a virtual exhibition of their art and design work in the Reynolds Art Gallery opening on October 29 at 6 pm via Zoom. The exhibition is comprised of graphic designs, photographs, and paintings viewable on the Art Steps online platform.

going2ground

University of the Pacific

going2ground suggests both concealment and re-discovery of the stabilizing touchpoints necessary to make art. During lockdown many Pacific artists lost access to studio space and the in-person relationships that foster vibrant artistic practice. Despite the pressure of switching to remote teaching and the isolation of quarantine, new forms of creativity emerged. Some artists entered periods of resolve as projects grew and blossomed with the benefit of focused attention. For others, quarantine opened avenues of exploration from which essential truths and acts of care and radical imagination emerged.

This virtual exhibition features work created by faculty and emerita in AMPD – home to Media X and the Art & Graphic Design program including Brett DeBoer, Cathie McClellan, Deanna Hunt, Jennifer Little, Jill Vasileff, Kevin Pontuti, Lisa Cooperman, Lucinda Kasser, Macelle Mahala, Marie Lee, Michael Leonard.

Gone Viral: Museum Studies Online Exhibition

University of the Pacific and Lisa Cooperman

On February 25th museum studies students decided to create a coronavirus themed pop-up exhibition for their mid-semester project. Within two weeks our world was upended with campus closure and a move to distance learning for the end of the term. What began as an in-person collaboration designed for a campus gallery about a timely topic shifted, as students moved from bystanders to active participants in this global crisis. The focus of the show evolved to reflect their experiences, fears, stress, coping mechanisms, and hope for the future.

Chromaticity: Senior Exhibition

University of the Pacific

Department of Art and Graphic Design senior class students at the University of the Pacific present Chromaticity, an exhibition of their art and design works in the Reynolds Gallery.

Opening April 16 and on view through May 11, the exhibition is composed of graphic designs, photographs, paintings, multi-media and mixed media installations. The junior studio art students' work will be displayed in I See You, an exhibition in the main art building.

Please join us in the gallery, Thursday, April 18, 6 - 8 p.m. as we recognize the talent and accomplishments of these young artists. The community is invited to be a part of the celebration while enjoying an evening of art, design, music, and refreshments. All events are free and open to the public.

Life's Track: A Centenary Celebration of Richard Yip (1918 - 1981)

University of the Pacific and Lisa Cooperman

The Reynolds Gallery is pleased to present, Life's Track: A Centenary Celebration of Richard Yip (1918 - 1981) on view March 18 through April 5, 2019. Join us in the gallery for receptions, March 21, 6-8:00 p.m. and March 23, 1-4:00p.m. These events are free and open to the public.

Organized by the artist's family and the University Curator, the show features work from the family collection with additional work from the University's permanent art collection. This exhibition explores the changes in painter Richard Yip's style, technique, and subject matter in the context of mid-20th century ideas of Eastern and Western art. A prolific watercolorist and beloved teacher, his approachable philosophy toward making art is also on view.

Visual Storytelling: Student Documentary Projects 2016 - 2018

University of the Pacific and Jennifer Little

The Reynolds Gallery is pleased to present, Visual Storytelling: Student Documentary Projects 2016 -2018, an exhibition of student documentary projects curated from Professor Jennifer Little's Digital Photography I and Video Studio I courses. The featured projects are responses to an assignment to make a documentary series about a social, political, or environmental issue of significance. Students proposed and developed their own specific topics in response to this assignment.

Many students chose to explore challenges facing their communities including California's housing crisis, poverty, homelessness, neighborhoods destroyed by wildfires, and political conflicts over whether to replace farmland with new housing developments.

Other students focused on more personal topics relating to mental health, gender and identity, ethnicity, religion, cultural traditions, and discrimination.

Featured during the February 14 reception, is a 90-minute program of student documentary films curated from video production classes at Pacific. Screening will be in Jeannette Powell Art Center Room 209, adjacent to Reynolds Gallery.

All events are free and open to the public.

4 x 4: Exhibition and Sale

University of the Pacific and Pacific Student Art Club

The Pacific Student Art Club presents, 4 x 4 Exhibition and Sale, opening Thursday, November 15, 2018 and on view through Friday, December 7. Join us in the gallery for the reception and sale, Thursday, December 6, from 6 - 8 p.m. This gallery event is free and open to the public.

Confined to four by four inches, works will include drawings, prints, paintings, and sculpture that represent the creativity imposed by limitation. All work will be for sale in increments of ten, fifteen, twenty or twenty-five dollars, with five dollars of each sale going to the Pacific Student Art Club.

Golden Eye: Art from the Robert and Jeannette Powell Collection

University of the Pacific and Lisa Cooperman

The Reynolds Gallery is proud to present, Golden Eye: Art from the Robert and Jeannette Powell Collection, opening, Monday, October 1, 2018. Join us in the gallery for an opening reception, Thursday, October 4, from 6-8 p.m. This gallery event is free and open to the public.

For the first time since this artwork graced their home, selections from the Robert and Jeannette Powell art collection will hang together at the Reynolds Gallery at University of the Pacific.

The exhibition includes 16 pieces by world renowned artists representing significant art movements of the mid to late 20th century, which have never been exhibited together in Stockton. The show features Californians Charles Arnoldi, Richard Diebenkorn, Joe Draegert, Sam Francis, Gregory Kondos, Tom Lieber, Frank Lobdell, Nathan Oliveira, Ruth Rippon, Yoshio Taylor and Wayne Thiebaud, as well New Yorkers Jake Berthot and Jasper Johns.

Organized by University Curator Lisa Cooperman, the exhibition is a look at the very personal and much-loved collection from the Powell's estate, which was gifted to University of the Pacific in 2012.

Where We Live: Carolyn Lord, Peggi Kroll-Roberts

University of the Pacific and Lucinda Kasser

University of the Pacific's Reynolds Gallery is pleased to announce the opening of Where We Live: The Paintings of Carolyn Lord and Peggi Kroll-Roberts, the first exhibition of the 2018-2019 season, Monday, August 27, 2018. Join us for an opening reception, Thursday, August 30 from 6 - 8 p.m., when both artists will be in the gallery to discuss their inspirations, work, and career insights. This gallery event is free and open to the public.

Award winning, master artists, Carolyn Lord and Peggi Kroll-Roberts, are California painters, as such their work embodies the hot sun, hardy flora, and visual drama of the place where they paint and live. It also embodies something of the spirit of the state; its scrappiness and constant reinvention. Distilled through the filters of t wo unique styles - gardens, landscapes, houses, and figures are the subjects of the paintings on exhibit. With glorious color and exquisite design these contemporary painters bring scenes from everyday life to their canvases and open our eyes to its beauty.

With insatiable curiosity both Kroll-Roberts and Lord continue to delve into the treasure trove of art history for inspiration and to hone their craft. They also turn again and again to children literally growing beyond the image's edge; gardens unruly and tamed, poised to change again and finding in each new season a deeper understanding of the reasons they make paintings.

Noegenesis: Senior Class Exhibition 2018

University of the Pacific

The Department of Art and Graphic Design senior class at the University of the Pacific present Noegenesis, an exhibition of their art and design works in the Reynolds Art Gallery opening April 23 and on view through May 13. The exhibition will be composed of graphic design work, photography, painting, prints, multimedia and mixed media installations. The junior studio art students' work will be displayed in Raconteurs a separate exhibition in the art studio classroom building.

A reception for the artists will take place in the gallery, Thursday, April 26 from 6:00 to 8:00 p.m. The community is encouraged to enjoy an evening of art, music and refreshments as we celebrate these young artists and designers. This event is free and open to the public.

The Revolution will be DIY

University of the Pacific and Lisa Cooperman

Reynolds Gallery is pleased to announce the opening of The Revolution Will Be DIY, an interactive exhibition and event series that begins on March 20 and concludes on April 13, 2018. Through the run of the show the gallery will host art installations, collaborative projects, and performances by campus and community artists that empower change through creative action. All events are free and open to the entire campus and community.

"They always say time changes things, but you actually have to change them yourself," observed artist Andy Warhol. The do-it-yourself message could not be more relevant to current social conversations. Do-it-yourself connects the intersecting social justice topics of the show and supports the university's current Sustainability theme of "Intertwined." Materials from the Holt-Atherton archives frame the history of Pacific campus activism from the civil rights era to the present including letters from the Black Student Caucus and a DeltaFusion puppet.

Community artist Garrett Daniells' installation Desert Cornucopia addresses food insecurity in the area. Art activist and Stockton native Ryan Camero and Pacific student Carmen Cobian will co-create a migration themed mural called Borderlands. Local artisan and 'glitter punk weaver' Shannon Spohn will lead a community weaving workshop and the owners of Stockton Rags will demonstrate their screen-printing process and encourage local business startups. Jazmine Munoz from Sustaining Pacific leads an art workshop on Endangered Animals. The Singing Hands Student Collective will demonstrate their cooperative project with Chinese artisans. Risa Fujishige, alumna and artist leads a Social Fabric Clothesline Project and exhibition organizer Lisa Cooperman hosts afternoons for participants to Stich & Bitch. Drop-in interactive projects are ongoing and open to all.

Punk rock epitomizes the do-it-yourself ethos. Chad Sengstock's photographs from greater California's punk shows are featured in the exhibition along with images from the Stockton music scene by Hanna Thrasher and Jacob Porta. The exhibition concludes with a free, all-ages show of punk and metal bands NDN Giver, Cheap Shoes, Knee Deep, and xMalcolmx. Visitors who bring a non-perishable food or hygiene product for the Desert Cornucopia installation will get a special coupon for the E.A.T.s food truck which will be on site for the show.

The project has been made possible by our community collaborators Goodstock Productions. It is also supported by the Department of Art & Graphic Design, General Education, Holt-Atherton Special Collections, Pacific Arts and Lectures Committee, Pacific Music Management Club, Pacific Student Art Club, Sustaining Pacific, Thomas J. Long Foundation, Title IX, and the Women's Resource Center.

Shifting Gears: Making of an Art Car

University of the Pacific

Reynolds Gallery is pleased to announce Shifting Gears: The Making of an Art Car, a process exhibition opening Tuesday, February 20, on view until March 9. Join a selected group of Pacific student artists as they paint and transform the Art Car. The revealing of the finished Art Car, will take place during a reception in the gallery, March 8, 6:00-8:00 p.m. This event is free and open to the public. This exhibition will also feature a series of painted car parts by the University of the Pacific students.

This project is the brainchild of Pacific alumnus Dick McClure '78. A lifelong obsession with speed and style has led to a substantial collection of vintage sports cars. McClure organizes the annual Fall Colors Moto Tour whose members gathered at Pacific last October to hand over the keys to a 1982 BMW 320i for students to transform.

The members support for this project enabled interested students to visit the local pick-n-pull and select car body parts to try out their painting skills. Developing a concept for their art car tested their collaborative and technical skills as well. Art cars were first introduced in 1975 by the French racecar driver and auctioneer Hervé Poulain. He began this era of car canvases when he commissioned American artist and friend Alexander Calder to paint and transform the first BMW Art Car, presenting a recognizable canvas for complex ideas.

In preparation for the exhibition Mike Lamm, automotive journalist, author, historian and Phil Toy, professional automotive photographer visited campus to meet students and provide context for the evolution of car design and aesthetics. McClure shared examples of art cars from Janis Joplin, to Alexander Calder, Barbara Kruger, and Andy Warhol. Local muralist Carlos Lopez met with students providing invaluable technical advice about working on a large scale with industrial material. Support for the exhibition is provided by the Department of Art & Graphic Design and the Pacific Alumni Association.

Dawn of the Butterflies: Kam Women Artisans of China

University of the Pacific and Marie Lee

Marie Anna Lee, associate professor of graphic design, Department of Art & Graphic Design, presents Dawn of the Butterflies, her sabbatical exhibition and book publication. Photographs, artifacts, and manuscript pages explore the cultural artisan traditions of the Kam women artisans in China.

The exhibition presents excerpts of Marie Anna Lee's apprenticeship with the Dimen artisans that resulted in the creation of the Kam Women Artisans of China: Dawn of the Butterflies manuscript, published by Cambridge Scholars Publishing in 2018. The 290-page book contains Lee's 64 technical illustrations and countless original photographs. The book layout has also been designed by Lee following the publisher's requirements.

Marie Anna Lee has worked on cultural preservation of Kam indigenous heritage since 2007 and received the 2013 and 2014 SEED (Social Environmental Economic Design) Award honorable mention for excellence in public interest design for her work in Dimen. As part of the Kam delegation from Dimen, Lee presented at the Smithsonian Folklife Festival in Washington, D.C. in 2014. She taught at Public Interest Design Institute in Denver in 2013 and presented her research at numerous national and international conferences.

More information about the project is available at http://marieannalee.com/kam and http://singinghands.org. Book available at http://www.cambridgescholars.com/kam-women-artisans-of-china.

Blast from the Past: Juried Student Exhibition

University of the Pacific and Pacific Student Art Club

Reynolds Gallery is pleased to announce the opening of Blast from the Past the annual juried student art exhibition opening on Monday, November 13, 2017. A public reception and fashion show is scheduled for Thursday, November 16 from 6 - 8 p.m. The reception is free and open to the public.

Organized and curated by the Pacific Art Club, Blast from the Past invited students from Pacific, San Joaquin Delta College, and Cal State Stanislaus to show work inspired by previous artistic traditions. The exhibition is an exploration of nostalgia, history, and art historical themes and techniques and features drawing, painting, ceramic, sculpture, assemblage and sound work. In addition, a fashion show following the same theme will be held on the evening of the reception, November 16th from 6 - 8 p.m. in the Reynolds Gallery.

Come to the gallery for a noisy night of hands-on art making on November 30th, from 6 - 8 p.m. with "Severe ReConstructivist" Jimmy Descant. Descant conducts an informal instant assemblage art workshop using found objects gathered from his travels. Have fun hammering stuff and take home a piece of art. Tools and safety gear provided. Free! For more of Descant's work visit www.DeluxeWest.com.

Through Lines / Faculty Work : From Student to Artist

University of the Pacific

Reynolds Gallery is pleased to announce Through Lines, the second exhibition of the 2017-2018 season opening Monday October 2, 2017. A public reception is scheduled for Thursday, October 5, 6:00 - 8:00 p.m. Through Lines, an art and graphic design faculty exhibition, explores the artistic evolution of eleven participating artists. Each is represented by three works from undergraduate, graduate student eras and work made in their contemporary practice.

The "through lines" on display represent concepts, mediums, and techniques with which each artist has been involved and revisited over time. They are not necessarily straight or continuous. Nor do they tell the entire story of each artist's development. Some work is connected by subject matter as in Dan Kasser's symbolic and Jennifer Little's documentary landscapes. Subject matter also connects Barbara Flaherty's cave paintings, Deanna Hunt's fascination with trees, and Lisa Cooperman's focus on the human body. Material explorations are featured in S. Brett DeBoer's reinterpreted game pieces and musical instruments and Jill Vasileff's saturated, tactile installations. Marie Anna Lee and Michael Leonard present work on the spectrum of illustration. Monika Meler and Lucinda Kasser share the evolution of their luminous work in printmaking and painting.

Through Lines features photography, painting, prints, posters and sculpture by Barbara Flaherty, Daniel Kasser, Deanna Hunt, Jennifer Little, Jill Vasileff, Lisa Cooperman, Lucinda Kasser, Marie Anna Lee, Michael Leonard, Monika Meler, and S. Brett DeBoer.

id-eology / stories from the id: printmaker James Bailey

University of the Pacific and Monika Meler

Reynolds Gallery opens the new academic year with id-eology / stories from the id, a solo exhibition by printmaker James Bailey on view August 28 - September 21, 2017. Please note the gallery will be closed Monday, September 4, for the Labor Day holiday.

Join us for a gallery reception and Department of Art & Graphic Design welcome party, Thursday, September 31, 6 - 8 p.m. This event is free and open to the public.

Bombarding us with bubble headed figures, crazy animals, and glyph-like mosaics James Bailey's work reflects the speed, complexity, and over-stimulation we experience in our daily lives. This exhibition features prints and artist books that satirically explore modern life in all its grandeur and folly.

After Hours: Senior Art Show 2017

University of the Pacific

The Department of Art & Graphic Design graduating class of 2017 presents, After Hours an exhibition of their art and design works in the Reynolds Gallery, opening April 10 and on view through May 13, 2017.

A reception with presentation of senior awards take place in the gallery, Thursday, April 13 at 6:00 p.m. Please join us in the celebration of these young artists. This event is free and open to the public.

Cross-Eyed: Two Sibilings /Distinct Memories

University of the Pacific and Daniel Kasser

The Reynolds Gallery presents, Cross-Eyed: Two Siblings/Distinct Memories an exhibition of works by brother and sister, John and Leah Harper, on view February 27 through March 31, 2017. Gallery reception and presentation by the artists, Thursday, March 9 at 6:00 p.m. This event is free and open to the public.

Through writings and artworks, siblings John and Leah Harper have created a magical and humorous exhibit drawn from diverging memories of shared childhood experiences. Growing up in a family of little means, the Harpers did not have an abundance of material wealth. However, they did have a rich cultural background of California pioneer and Native American heritage. Active imaginations and childhood creativity more than made up for a lack of fancy toys, board games or television. John Harper notes: "We were a very large and religious family sharing an acre of land with our chickens, pigs, turkeys, ducks and at least one cow, not to mention the fruit trees, a vegetable garden and Mom's strawberry patch. It seemed to me we had everything."

The result of the Harper's collective memories is a wonderful multidimensional exhibition with whimsical, artworks likely to evoke childhood memories from visitors to the gallery. This exhibition revives colorful childhood antics and absurdities through a mixture of natural materials and iconography that were commonplace to their childhood. Each artwork is accompanied by a narrative panel, through which the artists' share their distinct and divergent memories of the same event. This exhibition originated at the Redding Art Museum in 1998 and has traveled to the National John Steinbeck Center in Salinas, California, The Hermitage Museum in Nashville Tennessee and returned to Redding, California with an exhibition and lecture presentation at the Shasta College Art Gallery. John Harper is an Emeritus Professor of Art at Shasta College in Redding, California. Leah Harper is a teacher, artist, musician and puppeteer. She is also a native healer for the NorRelMuk Wintu tribe.

Engaging Beauty: Art and Legacy of Ron Pecchenino

University of the Pacific

The Reynolds Gallery proudly presents, Engaging Beauty: The Art and Legacy of Ron Pecchenino, on view January 17 through February 20, 2017. Gallery reception Saturday, February 4, 2:00 - 4:00 p.m. to celebrate this nationally recognized artist, professor and mentor. This event is free and open to the public.

This memorial exhibit brings together examples from Ron Pecchenino's long and productive career as an artist and artistic mentor. Paintings by Pecchenino selected from regional private collections will be on view in this exhibition curated by his family, friends and former colleagues. Also on display will be the works of influences/students/protégés Richard Reynolds, Dick McClure, Brad Pecchenino and John Gaukel. A nationally recognized artist, Pecchenino worked in a variety of media and was best known for his watercolors and for a unique lacquer inlay technique. He completed numerous commissions for both private businesses and public organizations. Photographs of his public murals are also included in the exhibit, most notably the 10 ft. by 20 ft. "Golden Gateway to Manteca" at 213 W. Yosemite Ave. in downtown Manteca.

A native of California and raised in the San Joaquin Valley, Ron graduated from the University of the Pacific with a B.A. Art in 1956. He went on to earn his Master of Fine Arts degree at the California College of Arts and Crafts in Oakland. An art educator for more than forty years, Professor Emeritus Pecchenino was Chairperson of the Department of Art at the University of the Pacific from 1983-1991 and 1993-1995.

An outstanding, engaging professor and effective mentor and role model to junior faculty, he led a restructuring of the art department's instructional programs, brought computer technology into the art curriculum, initiated the Bachelor of Fine Arts in Graphic Design degree program and worked to obtain Pacific's first full accreditation for professional degrees in studio art and graphic design from the National Association of Schools of Art and Design. In 1992, he was recognized for his teaching and scholarship with Pacific's Distinguished Faculty Award. At his retirement in January 1996, he was awarded the Order of Pacific, the University's highest honor.

While he explored a diverse range of subject matter, nature - particularly the California landscape was his touchstone. "Having lived in the valley for over sixty years, its great versatility and wondrous beauty has ever been a source of inspiration."

Eye Candy: Student Juried Exhibition

University of the Pacific

The Reynolds Gallery presents, Eye Candy featuring artwork by students currently enrolled in University of the Pacific and San Joaquin Delta College. Members of Pacific's new student art club will jury this exhibition. A reception for the artists will be held at the gallery, Wednesday, December 7 from 6:30 to 8:30p.m. This event is free and open to the public.

MobileIntent: Pompeii 2079, Relics and Possibility

University of the Pacific and Jennifer Little

The Reynolds Gallery presents, MobileIntent: Pompeii 2079, Relics and Possibility sculptural works and an interactive installation by Northern California artist Ann Schnake, on view October 31 through November 28, 2016. Gallery reception and presentation by the artist, Thursday November 17, 6 - 8 p.m., Room 209, Jeannette Powell Art Center. The public is invited to this free event.

Schnake's traveling project Pompeii 2079, Relics and Possibility stages a hypothetical interactive experience looking backward and forward from the year 2079. In this exhibition, fragments of a 21st century carbonized world are cast in cement. Using the ancient city of Pompeii and cement as metaphors for seeing and thinking about our world, Schnake uses cement, first made with lime and volcanic ash from Mount Vesuvius during the Roman empire (the "fixative" that froze the ancient city of Pompeii, Italy in 79 AD) to examine the terrain between science and art: "what does a carbonized globe mean in both geophysical and poetic terms? Schnake uses cement's historical significance to explore our current global and ecological challenges. Pompeii's citizens anticipated the volcano's eruption but did not understand its devastating power or the consequences. Pompeii 2079 asks the visitor how we might consider our current dilemma with a carbon intensive environment against the span of history and how we might reimagine our future around resource conservation and social cooperation.

The Reynolds Gallery Turns 30: Homecoming/Alumni Exhibition

University of the Pacific

The Reynolds Gallery Turns 30: Homecoming/Alumni Exhibition opens October 3 and will be on display through October 24, 2016.A public reception for Alumni artists, will be held in the Gallery from 1:00 - 4:30 p.m. Saturday, October 15, during Homecoming Weekend. This gallery event is free and open to the public.

The Reynolds Gallery was created by Art Department faculty fall 1986 to honor Emeritus Professor Richard Reynolds and his wife/Adjunct Professor Marjorie Reynolds' contributions to the arts at the University of the Pacific and the greater Stockton community. During the Reynolds' tenure they encouraged and supported a diverse arts curriculum, sponsored a national printmaking exhibition and hosted several internationally notable artists on campus including Ansel Adams and Moholy Nagy.

Since its creation, the Reynolds Gallery has sponsored eight exhibitions annually in addition coordinating several regional events such as Aquatopia: Confluence of Art and Science and Visions in Clay.

This year's anniversary exhibition will host a Homecoming/Alumni Exhibition in conjunction with Pacific's homecoming calendar and events. Participating Alumni artworks will be on view in the gallery during the Homecoming events. A reception honoring the artists will take place on Saturday October 15, 2016 from 1:00 -4:30 p.m. with several of the artists/alumni in attendance. The Reynolds Gallery reception will be followed by "Taste of Pacific" 4:30 - 6:30 at the Vereschagin Alumni House.

Faculty Biennial: Skin in the Game

University of the Pacific

The Reynolds Gallery welcomes back the Pacific community and opens the new academic year with an exhibition featuring recent works from faculty of the Department of Art and Graphic Design.

Faculty Biennial: Skin in the Game opens to the public Monday, August 29, 2016 and is on view through Monday, September 26. Please note the gallery is closed September 5 in observance of Labor Day. A public reception will be held in the gallery, September 7, 6:30 - 8:30 p.m. with short talks from the artists beginning at 7:00 p.m.

Celebrating the remarkable range of faculty talent, this exhibition includes tenured, tenure-track, adjunct and emeritus faculty whose work encompasses a diversity of media and approach used in traditional and contemporary creative practice.

The Reynolds Gallery invites students, the public, and local community to view works from this award-winning and widely exhibiting group of artists and designers.

Did Andy Warhol Every Do Graphic Design for Shasta Cola

Source: https://scholarlycommons.pacific.edu/rg-exhibits/

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